HINDSIGHT LYRICS FULL
HINDSIGHT LYRICS TV

It just felt like it resonated,” Golubić said. We pulled our hairs out, but we just loved the fact that it was, ‘We three: my echo, my shadow, and me.’ It’s Jimmy, Saul, and Gene. “One of my favorite ones is the ‘We Three’ use. Regardless of the reason for the appeal, the Ink Spots were undeniable enough for the show to return to them for the Season 4 premiere. The group had multiple songs featured in the Scorcese classic “Raging Bull,” but this appearance in “Uno” came before a second Ink Spots resurgence of sorts, with eventual placements in “Watchmen,” “Counterpart,” “The Man Who Fell to Earth,” “Supernatural,” and “The Tourist” among others. They’re not as rough as they are if you get deeper into the ’30s or into the ’20s,” Golubić said. “They’re in that really interesting time period where it’s the beginning of the professionalization of recording. As Golubić explained, the Ink Spots and the signature tone of singer Bill Kenny is about as far back as the show could have reached. In some ways, having that scene drenched in the sound of a bygone era helps. The Ink Spots have a charm to their work, where it can live in any environment, any context.” “That was a nice way of capturing something that also didn’t tell you too much. There is a sense of a melancholy, but it’s also Jimmy is in there somewhere,” Golubić said. This is a man who’s not living the flashy version of himself. “When we talked a little bit about structuring ‘What is the world of Gene Takavic like?’ there was a sense that there’s a little bit of a Podunk quality to it. (Golubić likened it to “painting a train while it was moving.”) When approaching the first scene with Odenkirk as Gene, Golubić helped guide the team toward a sound that could harness some of that ambiguity. Figuring out that opening season as a holistic whole meant introducing some ideas, not fully knowing how they would reverberate throughout the seasons to come. Unlike its Albuquerque predecessor, “Better Call Saul” didn’t have a pilot. In honor of “Better Call Saul” coming to a close, IndieWire spoke with Golubić about a memorable musical moment from each of the show’s six seasons. There’s so many factors to getting it right.” Sometimes, there’s an estate that’s really insecure about the use or the context of the show. Sometimes there’s a weed dealer that nobody can find because he owns 2 percent of the damn song. Another big part of the strange job of music supervision is you have to find all the approval parties to clear every single thing. It was a pretty obscure find and surprisingly tricky to clear. We ended up finding it on a box set of a retrospective release. He’d heard it live when Mike Nesmith had played that song live. “Tom really loved the idea of using that song. “That’s very much a Tom Schnauz bit of genius, which we’re always happy follow when those moments happen with him,” Golubić said.

Behind these images are the sounds of the Monkees song “Tapioca Tundra,” an acoustic version that presented the kind of quintessential challenge that music supervisor Thomas Golubić has faced throughout his time working on both “Better Call Saul” and “Breaking Bad.”

HINDSIGHT LYRICS FULL

In Episode 11 of Season 6 (“ Breaking Bad“), a particular sequence saw Saul Goodman (Bob Odenkirk, in full Gene Takavic regalia) swindle a series of identity fraud targets over drinks at the bar. One of the small-scale, self-contained heartbreaks of late-period “Better Call Saul” is watching the remaining remnants of humanity slip away from its title character.

HINDSIGHT LYRICS TV

When singling out music for a TV show, that can also apply to the songs. Sometimes, the best ideas are in rough drafts.

Hindsight lyrics